Godard and his Cahiers counterparts looked to the American filmmakers operating on the fringes of Hollywood and producing esoteric, socially-important Westerns in much the same way that they did the directors creating new American art in Film Noir.
Hope Lies at 24 Frames Per Second
Notes On French Cinema
Godard and his Cahiers counterparts looked to the American filmmakers operating on the fringes of Hollywood and producing esoteric, socially-important Westerns in much the same way that they did the directors creating new American art in Film Noir.